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The Church of the Saviour at Tsalendjikha

 

Basic Momument Information:
Originator of Reference: G. Chubinashvili Institute of History of Georgian Art, Georgian Academy of Sciences
Country: Georgia
Monument Category: Building
Functional Type: Religious Building
Monument Type: Christian Church
Principal Name: The Church of the Saviour at Tsalendjikha
Principal Date: 14th century
Byzantine Date:
Late Byzantine
Person in Charge: Dr. Mariam Didebulidze, senior researcher
Organization of Person in Charge: G. Chubinashvili Institute of History of Georgian Art, Department of Medieval Fine Arts of Georgia

Information Text:

The church is located in the West Georgia, Samegrelo region, in 30 km from Zugdidi, the center of the region, on the bank of the river Tchanis-tskali, on the low hill, in the village Tsalendjikha. The church is surrounded by the circuit walls with a bell-tower in the N-W corner. In the west part there are the ruins of the palace of the feodal family of Dadiani.

The 12th c. church of Tsalendjikha is mentioned in the inscription of the Georgian chased icon of "Crucifixion", dated to the 13th c. Most of the information is obtained from the painted inscriptipns and the donator portraits in the main space and the chapels. The painted inscription on the south-west pillar mentions Constantinopolitan painter Kyr Manuel Eugenikos, invited to Georgia for executing the wall painting at Tsalendjikha church. The inscription is made in Georgian and Greek. The same inscription mentions prince Vamek Dadiani, commissioner of the painting, who ruled Odishi (Samegrelo) in 1384-1396. Vamek Dadiani was "Mandaturrukhutsesi" (minister of the interior) of the Royal court. There is preserved his portrait and donator inscription in the church of Khobi monastery (West Georgia), on the coin dated to 14th c. On the north-west pillar there is an inscription (in Georgian) mentioning the noblemen (Makharobeli Kvabalia and Andronike Gabisulava) that were sent to Constantinople to bring to Georgia a Greek painter. The repairs made in the 17th c. and the wall paintings of the south-west chapels were commissioned by the descendant of Vamek Dadiani, Prince Levan Dadiani (1611 -1657), famous figure in the 1.7th c political and cultural life of Georgia. His portrait with his spouse, heirs and etc. is found in several paintings in Georgia and even in Jerusalem (he was one of donators of the Holy Cross Monastery in the Holy Land), on several chased icons etc.

Constraction Characteristics:
Architectural Type Cross-domed Church
Building Technique/Materials: The church is constructed with ashlars. At present it is roofed with zinc coating.
Functional Parts: Narthex, four chapels and three arched galleries, basement
   

Temporal Phases:
Phase One: 12th century, the Church was constructed
Phase Two: 14th century, the chapels anf the galleries were constructed

Condition/Use:
Use: Ecclesiastical
Condition: Poor
Remarks: In need of conservartion

Place:
Country: Georgia
Greater Area: Samegrelo region
Steno geog. diam: Zugdid
Municipality: Tsalendjikha

Bibliography:
Title: History of Byzantine Painting (Istoria vizantiiskoi jivopisi),
Author: V. Lazarev
Bibliographical Information: vol. 1 and II; Moscow
Kind of Publication: Book
Year of Publication: 1986
References: pp. 167-168,252

Decoration:
The wall painting adorns the interior of the mam space of the cross-domed church and the chapels. The painting of the main space is dated to the 14th c. according to the inscriptions in Georgian and Greek and mentions the painter - Kyr Manuel Eugenikos, invited from Constantinople by the commissioner prince of Samegrelo (Odishi) Vamek Dadiani. Some parts of the painting were repainted or restored in 17th c. Wall paintings of the chapels were executed in 16th-17th cc. It must be mentioned, that no other Byzantine painting of such artistic level is preserved from this period and hence, it is most important for the history of Byzantine art.
Iconographical program of the wall-painting of the church is complicated and very interesting, including many themes, not usual for the medieval Georgian painting. The style of the frescoes is typical for the Paleologian period at its best. Along with the Greek inscriptions there arc inscriptions in Georgian and it seems that local artists assisted the famous Greek painter in his work.
The present condition of the murals is poor. The paint layer is flaking, powdered in some places, the plaster is detached from the masonry in many places, the surface of the painting is damaged with salts, grease and mould. The roof needs repairs as to prevent the water infiltration. Special measures should be taken to prevent up-going humidity from the basement and floor. Wall paintings in annexes need emergency conservation.


Interventions
17th century The church was repaired
19th century New floor was arranged
60-es of 20th' c Partial emergency conservation of the frescoes was implemented
80-es of the 20th c. Some structural repairs were made and the old roofing was replaced with new zinc coating.

Information Object: 1
Kind of information: writen
Source: The Georgian chased icon of "Crucifixion"
Date: 13th c

 

Information Oblect:2
Kind of information: writen
Source: The inscription on the north-west pillar
Date: 13th c